Parity Pipeline

Parity Pipeline

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Directed by Brooke Berman

Cass and Eric meet at a job interview, fall in love and first sight and spend what may be their second and last date driving across the US for the Christmas holdiays. Are we led by unseen forces? Is this love? Or just a road trip to remember?

  • ABOUT
  • BIO
  • GALLERY

Genre

Synopsis

Cass is ready to grow up and get real. Leaving the world of independent "Off Off Broadway" theater, she interviews for a job in the Metropolitan Museum of Art's preservation department. At the job interview, two weeks before Christmas, Cass meets Eric, believes that it's love at first sight and the two spend the day together, talking. Rashly, the decide to drive across the country together on what's ostensibly their second date. It is a mess. After a day of talking nonstop, once on the road, the pair encounter every barrier to intimacy and personal obstacle imaginable -- from ex-s with benefits to old defenses -- and by the time they read Erik's dad's house and Colorado, they'll either never speak again or get married. Which will it be? Do you believe in love at first sight? And if so, then what?

Bio

Brooke Berman has written films for Natalie Portman, The Mark Gordon Company, Vox Films, Fugitive and Red Crown. Brooke adapted and directed the short UGGS FOR GAZA which premiered at the Aspen International ShortsFest where it won Audience Special Recognition. ALL SAINTS DAY, a short film Brooke wrote, directed by Will Frears, won Best Narrative Short at the Savannah Film Festival and screened at the Tribeca Film Festival. Brooke’s feature POLLY FREED was chosen to be part of New York Stage and Film’s Screenwriters Lab where it was mentored by Kyra Sedgewick, Zach Helm and Billy Goldberg and selected as part the MOME finance lab for female filmmakers and NYWIFT From Script to Preproduction lab. PF has made it to “second round” for Sundance Screenwriting Labs two years in a row and won Best Screenplay at the Toronto Independent Film Festival. RAMONA AT MIDLIFE, her directorial feature debut, won Best Unproduced Script at the Montreal Independent Film Festival, the Toronto Independent Women’s Film Festival and LA Indies. Brooke’s memoir No Place Like Home is now available on Audible. Her plays, include Hunting and Gathering (Primary Stages), Smashing (The Play Company, The O’Neill) and A Model City (Stacey Mindich Productions), have been produced across the US and internationally at theaters including Steppenwolf, 2nd Stage and Naked Angels.